 | Museum Het Rembrandthuis Jodenbreestraat 4 1011 NK Amsterdam The Netherlands T +31 20 520 0400 E museum@ museumrembrandthuis.nl Press Inquiries: press-office@museumrembrandthuis.nl |
Museum Het Rembrandthuis
Jodenbreestraat 4
1011 NK Amsterdam
The Netherlands
T +31 20 520 0400
E museum@ museumrembrandthuis.nl
Press Inquiries: press-office@museumrembrandthuis.nl
The Conspiracy of the Batavians under Julius Civilis
In 1648, the year that the Treaty of Münster put an end
to the Eighty Years’ war, work started in Amsterdam on the building of
a new Town Hall, now the Palace in Dam Square. A considerable sum of
money was earmarked for it, in order to make it a really impressive
edifice. The town hall was to be an expression of the power of the City
of Amsterdam. Great pains were also taken with the interior. The
decoration of the gallery around the Burgerzaal was executed at a later
date. In 1659 Govert Flinck was contracted to paint twelve works for
the gallery, with scenes from the uprising of the Batavians against the
Romans. This former pupil of Rembrandt’s was promised the vast sum of
12,000 guilders for the work. Shortly after the commission was awarded,
Flinck died. The city council then entrusted the work to several
different artists. Rembrandt received one commission, to paint The
Conspiracy of the Batavians in the Schakerbos with the one-eyed Julius
Civilis, also known as Claudius Civilis. Rembrandt, The Conspiracy of the Batavians under Julius Civilis, c. 1661-1662, canvas, 196 x 309 cm, Stockholm, Nationalmuseum (Br. 482) As far as we know, this is the largest painting that Rembrandt ever made. It must have measured at least five and a half metres square. The painting was installed in the town hall in 1662, but was then taken out again. We do not know why. Were the burgomasters dissatisfied because the depiction of the subject was too true to life? Or did they not like the finishing? Rembrandt was supposed to make the necessary modifications, for which he would not be paid anything extra. Was Rembrandt unable to reach agreement about payment with his clients? Whatever the reason, the painting went back to Rembrandt, who must subsequently have cut the central part out. This fragment has been in Sweden since the eighteenth century (fig.1). We know roughly what the painting looked like because Rembrandt made a sketch of the whole picture on an odd scrap of paper (fig.2).  Rembrandt, The Conspiracy of the Batavians under Julius Civilis, pen and brush in brown, brush in white, 19.6 x 18 cm, Munich, Staatliche Graphische Sammlung (Be. 1061 ) |
